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Automation in Teaching and Learning for Social Good (INTETAIN 2020)

This journal is no longer using eScripts to process articles; instead, please submit your paper through Do not forget to select the title of the journal first and then register.

Editorial Board
Guest Editors:
  • Navid Shaghaghi (Santa Clara Univesity)+ BioNavid Shaghaghi is a lecturer and researcher in the department of Mathematics and Computer Science (MCS) of the College of Arts and Sciences, the departments of Computer Science & Engineering (CSEN) and Bioenginneering (BIOE) of the School of Engineering, and the department of Information Systems and Analytics (ISA) of the School of Business at Santa Clara University. His research interests are in Artificial Intelligence(AI), Automation, Technology for Education, Technology Ethics, Extended Reality, Internet ofThings (IoT), Machine Learning (ML), sustainable Energy, and Web/Mobile technologies. Professor Shaghaghi currently manages 25 research projects and oversees over 120 research students and alumni in his Ethical, Pragmatic, and Intelligent Computing (EPIC) and Creative, Augmented, and Virtual Environments (CAVE) research laboratories as well as under his fellowship roles with the Frugal Innovation Hub (FIH) and the BioInnovation and Design Lab at the university.
Aims & Scope

EAI Endorsed Transactions on Creative Technologies is open access, a peer-reviewed scholarly journal focused on a whole industrial project or framework integrating creative technologies, creative content management, and more. The journal publishes research articles, review articles, commentaries, editorials, technical articles, and short communications with a quarterly frequency (four issues per year). Authors are not charged for article submission and processing.

The journal is not limited to only specific aspects of creative technologies but also open to considering the high-level and innovative contributions from a wide range of subfields, especially articles of interdisciplinary nature.

Some of the journal topics are:

Creative Industries - the paper can describe a whole industrial project or framework integrating creative technologies for domains such as:

  • Creative content providers: TV & radio (broadcast, linked media), fashion (RFID and sensors, energy recycling), music & movies, books (digitization, sonification), museums (creative/artistic installations for tourism or cultural heritage) and media archives, etc.
  • Creative services providers: Advertising (user-centered web and ads optimization), design (communication devices for creative environments), architecture (places that adapt to people, creativity from domotics), new media and transmedia, etc.
  • Creative experience providers: Movies and music experience, game-based installations and playable media (participative creation, DJs and VJs creative tools), interactive social and urban spaces, etc.

Scientific topics - the paper can focus on scientific tools for creative industries on topics such as:

  • Creative content management: Multimedia data mining and innovative browsing, data 2D/3D visualization, digitization and storage, cultural heritage, etc.
  • Creative interactions: Social signal processing, verbal and nonverbal, explicit or implicit interactions, interacting robots, sensors and MoCap, human-computer interaction, user interface design, serious game etc.
  • Creative experiences: Affective content analysis and synthesis, immersive technologies, special effects, augmented reality, expressivity and emotion detection and processing, user experiences, etc.

Additional materials such as videos of installations and setups, public/users reactions and comments, or demo links are welcome.

Manuscript submission deadline:
Notification of acceptance:
Submission of final revised paper:
Publication date (tentative):